This is by no means the last word on lettering, just me having my say on same. The low standards in most manga lettering makes me twitch. The missing of basic forms (because they're not taught) make me twitch. The use of apostrophes as if they were LOL instead of useful punctuation to indicate possessives makes me twitch.
The distance between good lettering and so-so lettering and bad lettering is small. In my unhumble opinion, it's worth bothering with.
So, what the fuck do I know?
Besides my near-miss English minor (I left college with one credit to go so I could draw comics, mmmboy), I've been a letterer for 20+ years, mainly of manga (when it still required sound FX and art retouch). My mentor was Tom Orzechowski.
Richard Starkings once gave me a t-shirt. ^_- (Seriously, we're pals. Starkings is a good guy.)
LETTERING RESOURCES
The GRANDADDY: Comic Craft's Balloon Tales: http://www.balloontales.com/
The best place to start is BT's Lettering: Word Arrangement: http://www.balloontales.com/tips/arrange ment/index.html
It gives the basics on making lettering look like someone who knows what they were doing did it.
FONTS:
Most free fonts are worth what you pay for them. Obviously, Comic Sans is right out. You can get a gazillion fonts by putting "free font" into Google. The problem is a lot of those fonts are downloadable, but not legal to use without a fee. Use caution.
CC's fonts are the best you're going to get, but they're not free. HOWEVER, they have an excellent font package "WildandCrazy" that gives you a regular and bold italic font set and SFX for $29.95.
http://www.comicbookfonts.com/zap/catalo g.html?item=fonts:zp1&sid=0001Mv6yHafzLf Qer07q7R6
Nate Peikos' Blambot.com is a great resource for fonts, but even the free fonts are NOT for use in projects from DC, Marvel, Dark Horse, Image, etc.
His Pro Fonts are only $20./each, and gets you a license to use them.
http://blambot.com/fonts.shtml
BALLOONS:
Blambot has FREE EPS balloons and SFX, and they're free for non-profit and commercial use.
http://blambot.com/balloons.shtml
AVOIDING COMMON MISTAKES:
When lettering in all-caps, the serif (that means with the lines at the top and bottom) "I" is ONLY used for the possessive pronoun "I." This includes "I'm" "I'd" "I'll."
A serif "I" does not belong anywhere else.
I know you can pick up any comic from nearly any company besides DC and Marvel and see this standard of good form bent (ALL sans-serif "I" even for the possessive form), bent again (ALL serif "I"), or broken beyond fixing (a capricious mix of serif and sans-serif "I", someone possessive-correct, sometimes not, mostly a big mess) BUT THAT DOESN'T MEAN THIS IS GOOD FORM OR EVEN "OKAY."
It's CRAP form.
GRAMMAR:
"Its" is the correct possessive form, not "It's." ("Its head blew up!") Stupid, huh? But correct. "It's" is a contraction. ("It's going to be a long fucking night.")
Oh yeah: "hers," not "her's."
The apostrophe "s" ('s) is not, as Dave Barry once said, to let you know an "s" is coming. It's for possessive and contractions, and that's it. (Lea's, Nate's, that's.)
Use a spellchecker, but don't take it at its word. Speelcheekers are only az S-Mart as the dickshunary in them. Use dictionary.com and/or a paper dictionary, too.
Hope this helps! Feel free to link to it, re-post (with a link), and so on.
ETA: Bob the Angry Flower explains the Apostrophe S and Its v. It is.
(Thanks to
mattg and
darthparadox for the links!)
P.S.: For extra fun, watch and see how many comics-related sites, movies, shows and events break the rule of the serif I/sans serif I.
Start with the posters for SIN CITY, and go from there.
The distance between good lettering and so-so lettering and bad lettering is small. In my unhumble opinion, it's worth bothering with.
So, what the fuck do I know?
Besides my near-miss English minor (I left college with one credit to go so I could draw comics, mmmboy), I've been a letterer for 20+ years, mainly of manga (when it still required sound FX and art retouch). My mentor was Tom Orzechowski.
Richard Starkings once gave me a t-shirt. ^_- (Seriously, we're pals. Starkings is a good guy.)
LETTERING RESOURCES
The GRANDADDY: Comic Craft's Balloon Tales: http://www.balloontales.com/
The best place to start is BT's Lettering: Word Arrangement: http://www.balloontales.com/tips/arrange
It gives the basics on making lettering look like someone who knows what they were doing did it.
FONTS:
Most free fonts are worth what you pay for them. Obviously, Comic Sans is right out. You can get a gazillion fonts by putting "free font" into Google. The problem is a lot of those fonts are downloadable, but not legal to use without a fee. Use caution.
CC's fonts are the best you're going to get, but they're not free. HOWEVER, they have an excellent font package "WildandCrazy" that gives you a regular and bold italic font set and SFX for $29.95.
http://www.comicbookfonts.com/zap/catalo
Nate Peikos' Blambot.com is a great resource for fonts, but even the free fonts are NOT for use in projects from DC, Marvel, Dark Horse, Image, etc.
His Pro Fonts are only $20./each, and gets you a license to use them.
http://blambot.com/fonts.shtml
BALLOONS:
Blambot has FREE EPS balloons and SFX, and they're free for non-profit and commercial use.
http://blambot.com/balloons.shtml
AVOIDING COMMON MISTAKES:
When lettering in all-caps, the serif (that means with the lines at the top and bottom) "I" is ONLY used for the possessive pronoun "I." This includes "I'm" "I'd" "I'll."
A serif "I" does not belong anywhere else.
I know you can pick up any comic from nearly any company besides DC and Marvel and see this standard of good form bent (ALL sans-serif "I" even for the possessive form), bent again (ALL serif "I"), or broken beyond fixing (a capricious mix of serif and sans-serif "I", someone possessive-correct, sometimes not, mostly a big mess) BUT THAT DOESN'T MEAN THIS IS GOOD FORM OR EVEN "OKAY."
It's CRAP form.
GRAMMAR:
"Its" is the correct possessive form, not "It's." ("Its head blew up!") Stupid, huh? But correct. "It's" is a contraction. ("It's going to be a long fucking night.")
Oh yeah: "hers," not "her's."
The apostrophe "s" ('s) is not, as Dave Barry once said, to let you know an "s" is coming. It's for possessive and contractions, and that's it. (Lea's, Nate's, that's.)
Use a spellchecker, but don't take it at its word. Speelcheekers are only az S-Mart as the dickshunary in them. Use dictionary.com and/or a paper dictionary, too.
Hope this helps! Feel free to link to it, re-post (with a link), and so on.
ETA: Bob the Angry Flower explains the Apostrophe S and Its v. It is.
(Thanks to
P.S.: For extra fun, watch and see how many comics-related sites, movies, shows and events break the rule of the serif I/sans serif I.
Start with the posters for SIN CITY, and go from there.


Comments
(I don't know whether it's a good thing or not that I know both that URL and bobsqu.gif off the top of my head...)
I never knew about the serif |I| rule--thank you for posting this!
I think designers of comics-related and -styled art and graphics should know better.
I wasn't aware that it had it's own set of rules and style guides, though. So, thanks very much for posting this.
(I have to admit that I still think one could probably achieve decent comic page typography without having to buy fonts. But I'm going from the assumption that comic typography is not as stringent as design typography.)
I think at least one licensed font is a must. That way, the license is clear (which means never having to worry if its being used according to the owner's rules), and the font will be constructed well.
I've been simmering on a series of why I hate most manga lettering. But then I gave up when I realized it'd just be me bitching.
One thing I HATE HATE HATE is mis-hyphenation. OMG! I thought they were hiring college kids (at $4 a page), do they not know that words are broken up at the end of syllables?!1!
I've also seen a lot of misplaced apostrophes in a sad attempt to evoke slang. It's not a en-dash that connect syllables, folks, it's a contraction.
I'm still struggling with "Putting words in a comic using a font and a computer doesn't make you a letterer it makes you a fontmonkey."
I can almost deal with bad lettering in an indie comic.
Companies with editors and that pay for lettering have no excuse for publishing books with crap lettering.
So basically I shouldn't be trusted. Okay, never mind. :)
BF is the WhizBang of its time.
I never ever could decide whether I sbould use capital I in lettering.
I've got enough of a graphic design background that I cringed to see the bottom of that BT tutorial, where it recommends horizontally scaling the type to make it fit better. Aiiieee!
Hey, ever read Templar, Arizona? Check out the lettering on that; Spike does it all by hand!
In comics lettering, a sans serif I by itself looks like a stick, lowercase L, or a numeral 1. The serifs help distinguish it as an I. In body copy, the serifs aren't needed because an I can be understood from context. Also, a serif within a sans serif block of text? I think that answers itself.
Horizontal scaling is okay for fitting text in comics lettering. It works and it's sound advice. You're ignoring that Richard says there are limits to its use because it changes letter weights.
What is your "just enough" background in graphic design?
Yes, I've seen Templar. I know Spike's work. I hired her for GirlAMatic five years ago.
Why is the lettering so impressive just because it's done by hand?
My general rule for emphasis is to put it on words that are important.
That's a whole 'nother subject.
I'm so glad to see someone sound off about the translation and lettering in Manga reprints. It's one thing to have to cope with misspellings and bad translation in film subtitles, but for printed matter being published state-side? No excuse.
The serif use is so helpful! I've just been using lowercase everything. Maybe I'll go back through...
P.S. I live with a writer/editor and have to put up with a lot of backseat driving as far as dialogue goes. It can be annoying, but it makes for a better product. Keep going after people about the details! Maybe the industry will improve its esthetic...
I still like to hand-draw mine, then scan and alter them as needed.
Eurocomic is nice! It's one of Nate Peikos' fonts.
http://www.myfonts.com/fonts/blambot/eu
The current (and likely future) fashion of captioning sound effects is an approach I wanted when manga was first being brought over. Likewise with not flopping pages, and including notes about culture-specific stuff and in-jokes.
The market not being ready for that kept me in business for over ten years.
What rankles about the unflopped, intact SFX, notes format is how TPop marketed it as "100% Authentic" (GAG!), when the reality was that it saved money on lettering and retouch.
It wasn't about enhancing the reader's experience (though it worked out that way).
Me, I don't know a damn thing about fonts. All I know is that editors flip out if I hand in work that's not ten point Arial font. It's made me unsettlingly fond of the font.
Edited at 2008-01-19 05:48 am (UTC)
I burst a blood vessel anytime an advertising company buys a CC font and just runs with it without knowing how comics look.
In this case, I think Sprint is the offender. If I recall correctly, the :15 for this promo during "Heroes" airings ALSO had serif "I"s.
You can tell that the copy for the intro was in sentence case while the copy for the Flash widgets were in all caps.
I found out researching Comic Sans that it was the face used in the Sin City posters. Since I'm used to seeing the Abomination in mixed case, and the Sin City captions are all caps, I never made the connection. I stopped at MOTHERFUCKERS USED SERIF I SHIT STUPID and never got any farther.
Comic Con made the serif mistake, too, in promo materials a few years ago.
Could you explain this a bit (or post a link to an explanation)? Most of the anti-Comic Sans stuff I've seen -- bancomicsans and so forth -- hate it because it's used in all sorts of inappropriate places. Presumably this is not the problem with using it in comics. So why is it right out?
Even Dave of bancomicsans.com thought this, and GOT IT WRONG. He said in an interview he'd used it correctly (in a word balloon). BZZZZT.
Comic Sans is poorly constructed. It doesn't kern properly (i.e. pairs of letters like "A" and "T" don't fit so that the top stroke of the T is over the A.) The baseline is wobbly. The letterforms are utter shit.
Compare for yourself the balloon lettering fonts at Blambot.com to Comic Sans. You will see a craftsmanship in the Blambot letterforms that is simply not present in CS.
Last, using Comic Sans in a comic spells amateur as surely as lettering in Arial or Helvetica.